I arrived at the Woodstock Festival three days before it was scheduled to start. My friend Clifford and I actually had tickets for the festival, we were 14 and 15 years old respectively and ready for anything. Cliff’s mom was going to be driving to her country home near Bethel and she offered to drive us up, but the deal was we had to go up a few days early if we wanted the ride.

When we arrived, we found the few people already there doing the work of building and putting together the festival grounds. We somehow migrated to the area the Hog Farm had set up, they had a free kitchen that fed us and in return we helped build some concession stands and other structures around the area. They also gave us free hash breaks, which made the work a bit more pleasant.

Once the music started there were two options: cram yourself into the throngs of people sitting on the hill around the stage, or walk around and take in the scenery. I spent a lot of my time doing the latter. People would offer up a variety of drugs as I walked around, both the smoking kind and the pill kind. Sometimes they would just hand you a bottle, jug or goatskin canteen (a bota) filled presumably with wine, but often with some mescaline or other hallucinogen diluted in. Taking a sip was always an adventure, which I sometimes indulged but often didn’t. I suppose I would size up the offerer before making my decision.

The music was always there, whether you were looking directly at the stage or off somewhere in the rambles or over a hill or in one of the few unfortunate Porta-Pottys. I had seen many of the bands perform before, I was a regular at the Filmore East, usually as the result of my asking for free tickets from the parade of concert attendees filing into the theatre. But The Who, The Band, The Dead, were always a must see if I could. I had seen Hendrix a number of times, always magical, but I was long asleep by the time he played at sunrise.

I remember the one band everyone was talking about and anxiously awaiting was Crosby, Stills and Nash